A winner of the 2014 Metropolitan Opera National Council Auditions, 2015 George London Award, 2015 Elizabeth Connell prize for aspiring dramatic sopranos, and recipient of a 2015 Sara Tucker Study Grant, soprano Julie Adams has been praised by the New York Times for possessing a voice that is “rich, full and slightly earthy in an expressive way.” In the 2016 – 2017 season Ms. Adams will return to San Francisco Opera as Mimi in La Bohème, conducted by Carlo Montanaro, Kate Pinkerton in Madamda Butterfly, Kristina in Makropulos Case, and covering Princess Jia in the world premiere of Dream of the Red Chamber.
Last season saw Ms. Adams return to San Francisco Opera as a second year Adler Fellow with roles including First Lady in the Jun Kanako production of Die Zauberflöte,and Cesira in the world premiere of Marco Tutino’s La Ciociara. She also covered both the role of Eva in Die Meistersinger von Nürnberg and the title role in Jenůfa. Orchestral engagements included Barber’s Knoxville: Summer of 1915 with Contra Costa Wind Symphony, and a chamber concert with San Francisco Opera musicians as part of SF Opera Lab’s Chamberworks Concerts, with repertoire including Morgen! by Strauss, Previn’s Vocalise,Eternamente by Ponchielli, and Chausson’s Chanson Perpetuelle.
Highlights of previous seasons include her role debut as Blanche DuBois in A Streetcar Named Desire as part of the 2014 Merola Opera Program, Lia in Debussy’s L’Enfant Prodigue at the International Vocal Arts Institute in Tel Aviv, Pamina in Die Zauberflöte at the Music Academy of the West in Santa Barbara, and Magnolia Hawks in Show Boatand Rose in Street Scene with the Oakland East Bay Symphony. Additional roles include Fiordiligi in Così fan tutte, Blanche in Les Dialogues des Carmélites, and Lauretta in Gianni Schicchi at the San Francisco Conservatory of Music.
On the recital stage Ms. Adams was featured as part of the Schwabacher Debut Recital series with John Churchwell, which the San Francisco Chronicle praised her “combination of plush tone and seeming effortless vocal power.” Orchestral works include Haydn’s Mass in C Major with Oakland East Bay Symphony, Brahms Requiemand Vivaldi’s Gloria with Ventura College Orchestra, and a set of five Joseph Marx Lieder with the San Francisco Conservatory of Music Orchestra.
A native of Burbank, California, Ms. Adams holds both Bachelor of Music and Master of Music degrees from the San Francisco Conservatory of Music where she was awarded the Phyllis C Wattis Memorial Scholarship.